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Vol. 016: Breathing Shadows - VINYL MOON
Vol. 016: Breathing Shadows - VINYL MOON
Vol. 016: Breathing Shadows - VINYL MOON
Vol. 016: Breathing Shadows - VINYL MOON
Vol. 016: Breathing Shadows - VINYL MOON
Vol. 016: Breathing Shadows - VINYL MOON

Vol. 016: Breathing Shadows

VM Club "Mixtape": December 2016
$ 34.00
Color: Purple Smoke Colored Vinyl
Special Features
  • Die-cut cover, revealing interchangeable cover artwork
  • 8 “micro baroque” drawings on 4 double sided cardstock inserts
  • Reverse-board wide-spine jacket with shadow on the inside
  • Purple smoke colored vinyl
  • Intro letter 
  • Lyrics & art info insert
  • **Hidden bonus feature**
Tracklist

A1: The Saxophones - "If You're on the Water"
A2: Laura Misch - "I Adore"
A3: Feiertag - "Breathe"
A4: Grapell - "Arrow"
A5: Falcon Punch - "Cream"

B1: Anoraak - "We Lost" (ft. Slow Shiver)
B2: Jazz Morley - "Bad Love"
B3: Yeo - "Frost"
B4: Majik - "Closer"
B5: Jome - "Brushstroke"
Records from these artists:
The Saxophones - Songs Of The Saxophones LP
$ 23.00
Sold out
Anoraak - Nightdrive With You (2xLP)
[VM Exclusive Color, Ltd. to 100]
$ 32.00
Sold out
View details

SOCIAL LOVE for VM016: "Breathing Shadows"

LISTEN to VM016: "Breathing Shadows"

Analog Meets Digital

The VM "Digital Experience"

This Vinyl Moon "mixtape" includes an additional digital experience to explore & share.

It is also the closest we could get to making a Vinyl Moon experience that fits in your pocket...

'Breathing Shadows': The Digital Experience
Visual Artist for Vol. 016: Breathing Shadows

MATEO PIZARRO

Mexico, Mexico

Originally from Columbia, Mateo Pizarro has made a name for himself as a graphite artist with a keen eye for detail. Pizarro’s carefully rendered drawings are nearly photorealistic, but their subject matter exhibits a penchant for the surreal. In one example, a male figure vomits a seemingly endless stream of rabbits into a blank void. Elsewhere, a saintly early-modern figure sits cradling a small robot–the rendering is so exact with a composition so true to familiar images of the Virgin Mary, that it takes a moment for the robot to even register as such. In Pizzaro’s work for this volume, he imagines a series of hybrid creatures that are both fantastical and grotesque–a muscular dog with the head of a chicken, a cycloptic rhino, and an alligator with an abundance of human arms emanating from its torso. The overall effect of this menagerie is both disturbing and engaging, a testament to Pizarro’s perverse sense of humor.

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